Community Calendar

“Sentient Structures: The Art of Skye Tafoya + SABA,” on view through November 2, 2025, showcases the work of two artists creating architecturally-inspired expressions in materials that respond to the senses. Skye Tafoya (Eastern Band Cherokee/Santa Clara Pueblo) weaves paper structures and embeds knowledge in them through her printmaking processes. SABA (Diné/Jemez Pueblo) makes paintings and prints that anchor Pueblo architecture as evolving sites of home. This exhibition offers innovative approaches to printmaking, painting, and book arts and blurs the lines between two and three-dimensional mediums.

Free for museum members, or with admission.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025

Free for museum members, or with admission.

In Honor: A COMMUNITY TRIBUTE TO VETERANS

As part of Pursuit of Happiness: GI Bill in Taos (27 Sep 2025–31 May 2026) exhibition, Harwood Museum of Art invites you to participate in a living tribute to those who have served.

We are creating a special space in the museum where you can share personal memorabilia—photos, letters, medals, stories—to honor veterans.

SHARE YOUR STORY

Copies of objects are welcome, and all objects will be returned after the exhibition.

If you would like to contribute, please contact Kate Miller, Curatorial Assistant, at katemiller@unm.edu or visit the museum during open hours, Wednesday through Sunday, 11:00 am–5:00 pm. All are welcome to contribute from

July 18–September 7, 2025.

Harwood Museum of Art is a Blue Star Museum and offers free admission to veterans and their families

The works in this exhibition span critical moments in Ross’ career and have never previously been exhibited.

Charles Ross: Mansions of the Zodiac is an exhibition of Ross’ artwork inspired by sunlight, starlight, time, and planetary motion. Charles Ross emerged in the 1960s with the advent of minimalism and earthworks, and is considered one of the preeminent figures of land art. This exhibition opens as Ross nears the completion of his earth/sky work, Star Axis, a monumental architectonic sculpture, and naked eye observatory located on the eastern plains of New Mexico.

Image Credit: Charles Ross, Point Source / Star Apace: Weave of Ages, 1975/86, mixed media on paper mounted on canvas, created with 428 photographs from the Falkau Star Atlas which covers the entire celestial sphere from pole to pole, the viewpoint is that of the observer at the center of the earth, 106 x 225 inches. Courtesy of the artist.

$10 Admission, $8 Students and Seniors

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’s creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credits: Happy Kiln. Courtesy of Logan Wannamaker

Saturday, June 21, 2025 - Sunday, September 7, 2025
Wednesday - Sunday, 11am - 5pm

100 Years of Collecting|100 Years of Connecting is on view through December 13, 2025 at the Nuevo Mexicano Heritage Arts Museum, located at 750 Camino Lejo on Museum Hill in Santa Fe. Admission is free. Hours are noon to 4 p.m. Wednesday through Friday and 10 a.m. to 4 p.m. Saturday. For more information, visit nmheritagearts.org.

The exhibition marks the Spanish Colonial Arts Society's centennial by telling its century-long story of creating and caring for an extraordinary trove of nearly 4,000 objects representing the distinctive Hispano heritage of New Mexico. This provides a unique lens on the Society’s legacy of connecting to a community of artists and supporters of Hispano arts in New Mexico and beyond.

CHICANAO! Is exhibition of Chicana and Chicano artists working in different media. The show brings together artists from around New Mexico, both living and deceased. There will be over 40 artists and over 80 works shown.

A few of the artists on exhibit are Patricio Trujillo Trujillo y Fuentes, Oscar Lozoya, Delilah Montoya, Cecilio Garcia Camarillo, who first started Espejos de Aztlan. Cecilio has pass on, but his legacy remains. There are artists in varying degrees of their carreers featured in this show, and we, the curators are very happy to have invited to pull together artists.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

“Sentient Structures: The Art of Skye Tafoya + SABA,” on view through November 2, 2025, showcases the work of two artists creating architecturally-inspired expressions in materials that respond to the senses. Skye Tafoya (Eastern Band Cherokee/Santa Clara Pueblo) weaves paper structures and embeds knowledge in them through her printmaking processes. SABA (Diné/Jemez Pueblo) makes paintings and prints that anchor Pueblo architecture as evolving sites of home. This exhibition offers innovative approaches to printmaking, painting, and book arts and blurs the lines between two and three-dimensional mediums.

Free for museum members, or with admission.