Apr 30 Wednesday
Art Through Struggle Gallery in We Are of This Place: The Pueblo Story – the next indoor mural project is by NSRGNTS, two Indigenous artists based in Albuquerque. NSRGNTS is Leah Povi Marie Lewis (Laguna, Taos, Zuni Pueblos/Hopi/Diné) and Votan Henriquez (Maya/Nahua). Leah and Votan are becoming well known for their unique anime-inspired style of mural painting in vivid colors. Their artwork for IPCC will focus on Pueblo empowerment of past, present, and future. The mural will place emphasis on Po’pay as a Pueblo role model and a figure of strength. The space will invite storytelling and teaching for all ages, through the mural’s approachable style that will be accessible even for our youngest audiences and community members. The reception is scheduled for the evening of Friday, June 28, from 5-7pm. The exhibition will be on view from June 28, 2024 through June 1, 2025.
Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025
Free for museum members, or with admission.
“Sage Mountainflower: House of Fashion” showcases the artist’s contemporary clothing designs inspired by visual patterns and textures of her home and her experiences in the fashion world from the Pueblos to Paris. Mountainflower (Ohkay Owingeh/Taos Pueblo/Diné) brings together layered narratives of community and cultural landscapes in her wearable art forms that share stories of the land with audiences. The exhibit will be on view in the Artists Circle Gallery from March 15 through July 13, 2025.
Harwood Museum of Art is pleased to announce its exhibition Nicholas Herrera: El Rito Santero, a glimpse into the life and works of master santero Nicholas Herrera. Born and raised in the village of El Rito, New Mexico, Herrera’s art is rooted in the spiritual traditions and artistic practices of his Northern New Mexican mestizo (Spanish, Mexican, Native American) heritage.
As a modern santero, Herrera creates bultos, retablos, and large-scale mixed media works, many of which detail rich and often challenging chapters in his storied life. Through varied mediums, this exhibition surveys Herrera’s personal identity, family history, relationship to place, and political ideology.
Harwood Museum of Art is proud to exhibit the first solo museum exhibition of Nicholas Herrera.
Nicholas Herrera, Altar Dedicado a Mi Hermano, hand carved wood with natural pigments, 129 x 62 x 13.25 in. Image courtesy of Evoke Contemporary.
The works in this exhibition span critical moments in Ross’ career and have never previously been exhibited.
Charles Ross: Mansions of the Zodiac is an exhibition of Ross’ artwork inspired by sunlight, starlight, time, and planetary motion. Charles Ross emerged in the 1960s with the advent of minimalism and earthworks, and is considered one of the preeminent figures of land art. This exhibition opens as Ross nears the completion of his earth/sky work, Star Axis, a monumental architectonic sculpture, and naked eye observatory located on the eastern plains of New Mexico.
Image Credit: Charles Ross, Point Source / Star Apace: Weave of Ages, 1975/86, mixed media on paper mounted on canvas, created with 428 photographs from the Falkau Star Atlas which covers the entire celestial sphere from pole to pole, the viewpoint is that of the observer at the center of the earth, 106 x 225 inches. Courtesy of the artist.
$10 Admission, $8 Students and Seniors
100 Years of Collecting|100 Years of Connecting is on view through December 13, 2025 at the Nuevo Mexicano Heritage Arts Museum, located at 750 Camino Lejo on Museum Hill in Santa Fe. Admission is free. Hours are noon to 4 p.m. Wednesday through Friday and 10 a.m. to 4 p.m. Saturday. For more information, visit nmheritagearts.org.
The exhibition marks the Spanish Colonial Arts Society's centennial by telling its century-long story of creating and caring for an extraordinary trove of nearly 4,000 objects representing the distinctive Hispano heritage of New Mexico. This provides a unique lens on the Society’s legacy of connecting to a community of artists and supporters of Hispano arts in New Mexico and beyond.
You're invited to join a free, virtual community of practice created for passionate nonprofit pros who are making a difference in New Mexico. This is a space for those in the social sector to share resources and practical tools to work through the chaos that is 2025.
Connect to gather and share insights, discuss what’s working and what isn’t, and gain real knowledge and support from a supportive network of peers.
By participating, you can:Not feel alone in the tumult • Build meaningful connections • Share and gain knowledge • Enhance your skills with real-world, actionable strategies • Tackle common challenges with the collective wisdom of the community• Collaborate on impactful projects that move the needle in the social good space
This community of practice will meet from 12 noon to 1:15 p.m. MDT the last Wednesday of each month from April to September:• April 30 • May 28• June 25• July 30 • Aug 27 • Sept 24
While this event is free, please RSVP to hold your place.
This community of practice emerged as a direct result of Prospera Partner’s Disrupting the Path: A New Way Forward for NM's Social Sector conversations where attendees expressed the desire for more opportunities to connect with other nonprofit organizations and of course, the people working within them. It’s more important than ever to stay connected to community!
Generously supported by the Mind the Gap Fund, a donor advised fund committed to systems change and equity in the nonprofit sector, this event is part of BIG – Bold Impact for Good, a fiscally sponsored program of the nonprofit Community Ventures. Presented in partnership with New Mexico Thrives, an ally member of the National Council of Nonprofits.
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An Immersive and Thrilling Ride that Embodies the Spirit of Cult FilmsImmerse yourself in the high-octane world of Mad Max: Fury Road, a cult classic movie that has become a modern masterpiece of action cinema. This cult film is a must-see for fans of cult movies and cult classic films, with its stunning visuals, heart-pumping action sequences, and powerful performances. As a classic cult film, Mad Max: Fury Road continues to captivate audiences with its thought-provoking themes and unforgettable characters.
Join the Post-Apocalyptic Rebellion with This Unforgettable Cult MovieMad Max: Fury Road is a cult movie that has gained a massive following over the years, and its influence can still be seen in many aspects of popular culture. Don't miss this opportunity to experience this cult classic movie on the big screen, surrounded by fellow fans of cult films and cult classic movies. Get ready to witness the adrenaline-fueled action, stunning stunts, and powerful performances that have made Mad Max: Fury Road a beloved cult classic. Secure your tickets now and be a part of this unforgettable cinematic experience!
Hosted by Violet Crown Theater, The Hours chronicles a day in the life of three very different individuals, all of whom share the feeling that they have been living their lives for someone else. Virginia Woolf lives in a suburb of London in the 1920s as she struggles to begin writing her first great novel, Mrs. Dalloway, while also attempting to overcome the mental illness that threatens to engulf her. Laura Brown, a young wife and mother in post-World War II Los Angeles, is reading Mrs. Dalloway, and is so deeply affected by it that she begins to question the life she has chosen for herself. Finally, Clarissa Vaughan is a modern-day Mrs. Dalloway in contemporary New York, planning a party for her friend and former lover who is slowly losing his fight with AIDS. Three women, separated by a span of nearly 80 years, find themselves weathering similar crises, all linked by a single work of literature.