Dec 02 Saturday
Please consider airing this PSA about Sustainable Development Goals (SDGs) and the United Nations Association of the United States of America (UNA-USA).
Rocky Mountain Region Chapters of UNA-USA are working to help meet the 17 SDGs by helping rural and indigenous communities access broadband internet service.
The UN declared access to the internet a human right.
See more at https://www.projectrmr.com/ and https://unausa.org/.
Entry Forms & Official Rules Available Online Nov. 1Entries Accepted Nov. 17-Dec. 19In-Person Lobby Display Nov. 17—Jan. 7Judging Dec. 20The Pueblo Gingerbread House Contest is a favorite holiday tradition at the Indian Pueblo Cultural Center. Children and adults are encouraged to enter a Gingerbread house inspired by a Pueblo village, house, community church or historic building, with prizes being awarded in children’s and adult categories. This festive event is a unique way to share and enjoy Pueblo culture with your family. Free for members or with museum admission.
SITE SANTA FE presents and Water, a solo exhibition of works by N. Dash featuring the ecologically driven, spare paintings for which the artist has become internationally known.
The new paintings in the exhibition highlight some of the artist’s most significant aesthetic and conceptual approaches: harnessing the interaction of earth and water to create vertical topographical fields; layering commercial printing technology onto nontraditional grounds; and arranging readymade found objects and industrial detritus alongside natural materials. Dash’s “fabric sculptures,” diminutive forms created when the artist rubs pieces of cloth to the point of disintegration, also appear in these works as silkscreens. These idiosyncratic, somatic sculptures are potent emblems of the transformative capacity of entropy to create complexity and change.
Dash’s work draws from a deep connection to the land and an awareness of environmental and material transformations. Often beginning with troweled base layers of excavated earth, the artist then aggregates numerous materials and processes on these grounds to create complex visual terrains. Works on view in and Water feature expanses of graphite burnished into a nocturnal, lacustrine surfaces; strata of desiccated earth cut through by lengths of string; and layers of commercial silkscreen ink that reproduce color fields of rosettes—a visual artifact resembling floral blooms formed during the halftone printing process that is simultaneously mechanical and biologic—or images of Dash’s fabric sculptures, enlarged to monumental proportions.
Though Dash’s work is conversant with lineages such as post-Minimalism and Land art, the center of Dash’s work lies not in mining historical precedents but rather in a steadfast commitment to exploring subtle energy systems and unseen elemental processes. Animated by the underlying tension between the industrially produced and the handmade, Dash’s practice harnesses the unpredictability of natural materials and transmutes their potent energies.
Interference Patterns is a solo exhibition of new and recent work by multidisciplinary Tlingit and Unangax̂ artist Nicholas Galanin. Rooted in his relationship to Land, Indigenous visual language, and thought, Galanin merges conceptual and material practices in his expansive creative approach. Utilizing numerous materials and processes, Galanin continues to build a vast creative vocabulary, reflecting on and speaking to the world from an Indigenous perspective.
Interference Patterns presents a selection of sculptures, installations, and videos celebrating Indigenous knowledge and continuum challenging the legacies and consequences of colonization and occupation. A newly commissioned interactive installation, Neon American Anthem (red), invites audiences to participate in a cathartic release of sound and breath as a warranted response to legislated violence and oppression by the United States on those inside and outside its borders.
Galanin’s work boldly and intentionally disrupts colonial narratives and fictions by centering Indigenous perspectives at the intersection of Land and Water, cultural erasure, forced assimilation, natural and forced migration, environmental violence, and climate crisis with settler-colonial capitalism.
Through his multi-layered work, Galanin offers space for reflection and urgency, for interdependence and connection within diverse experiences. His work presses for change; of mind, heart, and action on a global scale.
Join us for a holiday pop-up market with 15+ local artisans and vendors. We'll have live music, food, and the opportunity for you to learn more about what we do.
This iteration of the Bookmaking and Storytelling workshops will be in Spanish, with El Paso/Juarez artist Iris Diaz.
Los participantes se inspirarán en la exposición de Celia Álvarez Muñoz para ilustrar sus propias historias. Este taller pedirá a los participantes que crear personajes e ilustran su historia en las páginas de sus libros hecho a mano. Trabajaremos con materiales artesanales, usando marcadores y lápices para ilustrar nuestras historias. Este taller se realiza en conjunto con la exhibición Celia Alvarez: Breaking the Binding y los participantes pueden optar por exhibir sus libros en la galería Mullenix junto con el trabajo de Celia Alvarez Muñoz.
Participants will take inspiration from Celia Alvarez Munoz’s exhibition to illustrate stories of travel, migration, and crossing. This workshop will ask participants to create a character and illustrate their story across the pages of their handmade book. We will be working with craft materials, using markers and pencils to illustrate our stories. These workshops are in conjunction with Celia Alvarez: Breaking the Binding and participants can choose to exhibit their books in the Mullenix gallery alongside Celia Alvarez Munoz’s work.
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Placitas is celebrating the coming of Winter with its Closing Concert of the season--"The Mad Hatters"--on December 2. This gifted duo's groove with rocking blues guitar, vocals, and tasty piano and accordion will give you a smile until the Winery opens again on St. Patrick's Day 2024. Tickets are $10 online at placitaswinery.com and at the winery door. Food & drinks available at the bar. Un-WiNe-d in Placitas!