Community Calendar

“Sentient Structures: The Art of Skye Tafoya + SABA,” on view through November 2, 2025, showcases the work of two artists creating architecturally-inspired expressions in materials that respond to the senses. Skye Tafoya (Eastern Band Cherokee/Santa Clara Pueblo) weaves paper structures and embeds knowledge in them through her printmaking processes. SABA (Diné/Jemez Pueblo) makes paintings and prints that anchor Pueblo architecture as evolving sites of home. This exhibition offers innovative approaches to printmaking, painting, and book arts and blurs the lines between two and three-dimensional mediums.

Free for museum members, or with admission.

Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025

Free for museum members, or with admission.

In the 10th edition of its international conference titled “Urban Planning & Architectural Design for Sustainable Development (UPADSD),” IEREK plans to continue the conversation that ties urban planning and architectural design to reach the common goal of sustainable development. The conference will discuss topics such as strategic urban planning, which requires setting ambitious goals and determining desired areas of city growth, as well as sustainable architecture and development. On the topic of sustainable architecture, the idea of its synonymous term green or environmental architecture will be discussed, as green architecture in itself is a challenge for every architect. Green architecture’s main goal is producing smart designs and using available technologies, ensuring that these produced structures emit minimal harm to both the ecosystem and the community. The end goal of green architecture is to fulfill the civilians’ current demands without risking the capacity of future generations to fulfill their own needs and that summarizes the purpose of urban planning.

“Sentient Structures: The Art of Skye Tafoya + SABA,” on view through November 2, 2025, showcases the work of two artists creating architecturally-inspired expressions in materials that respond to the senses. Skye Tafoya (Eastern Band Cherokee/Santa Clara Pueblo) weaves paper structures and embeds knowledge in them through her printmaking processes. SABA (Diné/Jemez Pueblo) makes paintings and prints that anchor Pueblo architecture as evolving sites of home. This exhibition offers innovative approaches to printmaking, painting, and book arts and blurs the lines between two and three-dimensional mediums.

Free for museum members, or with admission.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025

Free for museum members, or with admission.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

“Sentient Structures: The Art of Skye Tafoya + SABA,” on view through November 2, 2025, showcases the work of two artists creating architecturally-inspired expressions in materials that respond to the senses. Skye Tafoya (Eastern Band Cherokee/Santa Clara Pueblo) weaves paper structures and embeds knowledge in them through her printmaking processes. SABA (Diné/Jemez Pueblo) makes paintings and prints that anchor Pueblo architecture as evolving sites of home. This exhibition offers innovative approaches to printmaking, painting, and book arts and blurs the lines between two and three-dimensional mediums.

Free for museum members, or with admission.

Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025

Free for museum members, or with admission.

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’ creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: KNCE Studio. Courtesy of True Taos Radio, KNCE 93.5 FM