Community Calendar

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The Game's Afoot
Written by: Ken Ludwig
Directed by: Yannig Morin
December 5 - 28

An actor who plays Sherlock Holmes invites guests to his home for the Christmas holidays only to find he must be a real detective when a guest turns up dead.

Oscar Wilde’s “The Importance of Being Earnest” is the last of his four drawing-room plays, the previous three being “Lady Windermere’s Fan”, “A Woman Of No Importance” and “An Ideal Husband”, written a couple of hundred years ago! This farcical comedy depicts the tangled affairs of two young ‘men about town’ who lead double lives to evade unwanted social obligations, both assuming the name ‘Ernest’ while wooing the two young women of their affections. The play, celebrated for its wit and repartee, parodies contemporary dramatic norms, gently satirizes late Victorian manners, and introduces – in addition to the two pairs of young lovers – the formidable ‘Lady Bracknell’ – you must have heard of her! A luminary of Albuquerque theatre holding the director’s baton, Mario Cabrera has chosen six very well-known actors – Georgia Athearn, Nicee Brown, Clair Gardner, Jerry Hines, Bailey Hunt, Scott Sharot and Michael Weppler - to delight the audience, along with M. Cabrera, as ‘Lady Bracknell’! Performances 7.30pm Fridays and Saturdays. Additional performances Thursday Dec 11 and 18 at 7.30pm ($10 tix available). Saturday Dec 13 - 2pm only.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025

Free for museum members, or with admission.

The Annual Pueblo Gingerbread House Contest is a favorite holiday tradition at the Indian Pueblo Cultural Center. Children and adults are invited to enter a gingerbread house inspired by a Pueblo village, house, community church or historic building with prizes awarded in children’s and adult categories. This is an annual holiday event that is a unique way to share and enjoy Pueblo culture with your family.

Application Available: November 4th-December 19th

Submission Starting Date: November 18th

Gingerbread Display Dates: November 18th-January 4th

Judging open to visitors starting December 19th-January 4th

Announcement of winners January 6th

Join us to experience the insightful creativity of Native American youth artists! A long-standing tradition at the IPCC, this juried exhibition showcases the artworks of Native American students in grades K-12 in New Mexico. This year’s theme, “Planning Our Future Homes,” uplifts the students’ understandings of tribal and familial relationships between communities, homes, and building materials. The participating students’ artworks are available for purchase. A public reception with a Pottery Demonstration by Wilma Tosa (Pueblo of Jemez) will be held on Sunday, November 23, 1:30-4:30pm.

Included with museum admission

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’ creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: KNCE Studio. Courtesy of True Taos Radio, KNCE 93.5 FM