Oct 08 Wednesday
The 9th edition of the “Conservation of Architectural Heritage (CAH)” conference comprehensively covers the topic of heritage creative and technical conservation, preservation and community engagement. Additionally, it aims to bring the topic of conservation considering archaeological, historic, modern, and contemporary heritage, as well as the diversity of scales: landscape, urban and architectural ones. This will be explored within the umbrella of sustainability and accessibility discussing the relations between cultural heritage preservation and development
The 9th CITAA conference convenes urban planners, architects, artists, historians, and scholars worldwide, aiming to foster collaboration and address key challenges in cities' identities and cultural preservation. Discussions will span historical urban development, contemporary architectural conservation, and artistic expression. Topics include the significance of architectural heritage, arts in urban revitalization, and strategies for sustainable development. The conference will explore innovative approaches to preserving cultural heritage and fostering inclusive urban spaces, leveraging technology and community engagement for impactful solutions.
International Webinar On Dental and Oral Health 2025 is a premier virtual event bringing together dental professionals, researchers, clinicians, public health experts, and policymakers for a dynamic two-day webinar. Taking place on October 08-09, 2025, the conference will showcase the latest advancements, ongoing challenges, and innovative practices in oral healthcare and dentistry.For more info: https://bit.ly/478Ha2VWhatsApp: +44 3308224781
Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.
Free for museum members, or with admission.
“Sentient Structures: The Art of Skye Tafoya + SABA,” on view through November 2, 2025, showcases the work of two artists creating architecturally-inspired expressions in materials that respond to the senses. Skye Tafoya (Eastern Band Cherokee/Santa Clara Pueblo) weaves paper structures and embeds knowledge in them through her printmaking processes. SABA (Diné/Jemez Pueblo) makes paintings and prints that anchor Pueblo architecture as evolving sites of home. This exhibition offers innovative approaches to printmaking, painting, and book arts and blurs the lines between two and three-dimensional mediums.
Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025
The Indian Pueblo Cultural Center is pleased to host 10 days of special events to coincide with the 2025 Balloon Fiesta and Indigenous Peoples’ Day, starting on Friday, October 3rd and running through Indigenous Peoples’ Day on Monday, October 13th.
Join us for cultural dances, the 2025 American Indian Arts Festival, explore art from Native vendors all week long, and more! See our Calendar for the Full List of Events!
Plus, present your Balloon Fiesta ticket at the General Admissions desk for an Indian Pueblo Cultural Center Balloon Pin!
One pin per ticket, while supplies last.
BALLOON FIESTA WEEK DANCE SCHEDULE11am & 2pm 10/3 Northern/Southern Tewa Dancers Ohkay Owingeh10am 10/4 & 5 Acoma Family Dance Group Pueblo of Acoma 11am 10/4 & 5 Northern/Southern Tewa Dancers Ohkay Owingeh12pm 10/4 & 5 The Next Generation Dance Group Pueblo of Acoma2pm 10/4 & 5 Cellicion Traditional Dance Group Pueblo of Zuni3pm 10/4 & 5 White Mountain Apache Crown Dancers White Mountain Apache11am & 2pm 10/6 Pueblo Dance Group Laguna, Acoma, Hopi, Zuni12pm & 3pm 10/6 Kallestewa Dance Group Pueblo of Zuni11am & 2pm 10/7 The Pueblo Dance Group Laguna, Acoma, Hopi, Zuni12pm & 3pm 10/7 Soaring Eagle Dance Group Pueblo of Zuni 11am & 2pm 10/8 Red Mesa Dance Group Pueblo of Jemez12pm & 3pm 10/8 Anshe:kwe Dance Group Pueblo of Zuni11am & 2pm 10/9 Red Mesa Dance Group Pueblo of Jemez12pm & 3pm 10/9 Acoma Family Dance Group Pueblo of Acoma11am & 2pm 10/10 Acoma Family Dance Group Pueblo of Acoma12pm & 3pm 10/10 Dowa:kwe Dance Group Pueblo of Zuni11am & 2pm 10/11 The Next Generation Dance Group Pueblo of Acoma 12pm & 3pm 10/11 Oak Canyon Dance Group Pueblo of Jemez11am & 2pm 10/12 The Next Generation Dance Group Pueblo of Acoma12pm & 3pm 10/12 Oak Canyon Dance Group Pueblo of Jemez
The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’ creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.
The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.
Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.
Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.
Image Credit: KNCE Studio. Courtesy of True Taos Radio, KNCE 93.5 FM
Pursuit of Happiness: Gi Bill in Taos refocuses the story of post-World War II artistic movements by highlighting those artists working, communing, and connecting in Taos from 1945 onward. These artists founded the next great wave of abstraction that took root in the region, bringing their vast creativity and international connections to the community. Highlighting works from Harwood Museum of Art’s permanent collection and sourcing significant loans regionally and nationally, this exhibition tells the story of how Taos contributed to conversations and explorations in the national art scene during the post-World War II period.
The ALBUQUERQUE ABSTRACT ARTISTS ALLIANCE is pleased to announce their inaugural exhibition, FORAY, running from October 3 through November 2 at FUSION | 708. Presenting works from each member of the Alliance, this exhibit will demonstrate the wide range of abstract aesthetics currently available to the viewing public and is not to be missed! In concert with the Exhibition, a free workshop led by artist Bill Sabatini, FAIA, will take place on October 15th, 9 AM to 12 PM at FUSION.
Opening Reception: Friday, October 3, 2025, at 5:30–8 PMGallery Hours: Oct. 3–Nov. 2 on Wednesdays through Sundays from 11 AM–3 PM
After opening, this exhibit will be on view during public FUSION events, by appointment, or during gallery hours on Wednesdays through Sundays from 11 AM–3 PM. To schedule a visit, Email FUSION.