Community Calendar

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

Clay Speaks of Home, the annual New Mexico Potters and Clay Artists members exhibition opens at the Santa Fe Community College Visual Arts Gallery on March 5 and runs through April 8. The Gallery is open M_F from 9-5. With over 60 woks on exhibit (entries are open until January 23), this promises to be one of the largest and best exhibitions yet from this exciting, state-wide, 50-year-old organization. From expressive sculpture and evocative abstract forms to beautifully glazed lidded jars and pitchers, this exhibition has something for everyone. There are mixed media objects, wall hangings, functional and decorative ware that express everything from profound harmony with our New Mexican landscape to serious concerns with world events.
Join us at SFCC’s lovely campus for the opening on Thursday, March 5 from 4 to 6 pm to meet the artists, tour the gallery and hear who won the awards from the three jurors Serit deLopaz Kotowski (last year’s winner), Mary Sharp Davis (ceramicist extraordinaire) and Elizabeth Hunt (Head of Ceramics, SFCC). Maybe you will find that something special for your own collection. Then check out the exhibit at our website and cast your vote for the People’s Choice Award at www.nmpotters.org beginning March 5.

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The meeting of great minds usually happens behind closed doors, but for two of the world’s foremost bassists—Christian McBride and Edgar Meyer—the collaboration proved so fruitful that a duo album, But Who’s Gonna Play the Melody?, exploring their collective backgrounds, was born.

Now the duo is hitting the road, and we can’t wait to present them at the Lensic. The legendary bassists will meld McBride’s jazz and R&B fusion with Meyer’s bluegrass and classical sensibilities for what is sure to be an unforgettable performance of new compositions and timeless American standards.

The bass is traditionally seen as the bedrock of an ensemble, and no living bassists have done as much to bring the instrument from the background to the spotlight as Christian McBride and Edgar Meyer. Both belong to an elite cadre of musicians whose jaw-dropping virtuosity on their chosen instruments is matched only by the profound soul and emotion of their playing and the spectrum-wide range of their tastes.

Christian McBride has blazed an extraordinary trail as one of the most preeminent musicians of his time. Over the last three decades, the nine-time Grammy winner and Newport Jazz Festival Artistic Director has made momentous advances as a dynamic musician and recording artist, a prolific composer-arranger-producer, a distinguished curator of culture, and a dedicated educator and mentor.

Hailed by The New Yorker as “…the most remarkable virtuoso in the relatively unchronicled history of his instrument,” Edgar Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. His uniqueness in the field was recognized by a MacArthur Award in 2002.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

Clay Speaks of Home, the annual New Mexico Potters and Clay Artists members exhibition opens at the Santa Fe Community College Visual Arts Gallery on March 5 and runs through April 8. The Gallery is open M_F from 9-5. With over 60 woks on exhibit (entries are open until January 23), this promises to be one of the largest and best exhibitions yet from this exciting, state-wide, 50-year-old organization. From expressive sculpture and evocative abstract forms to beautifully glazed lidded jars and pitchers, this exhibition has something for everyone. There are mixed media objects, wall hangings, functional and decorative ware that express everything from profound harmony with our New Mexican landscape to serious concerns with world events.
Join us at SFCC’s lovely campus for the opening on Thursday, March 5 from 4 to 6 pm to meet the artists, tour the gallery and hear who won the awards from the three jurors Serit deLopaz Kotowski (last year’s winner), Mary Sharp Davis (ceramicist extraordinaire) and Elizabeth Hunt (Head of Ceramics, SFCC). Maybe you will find that something special for your own collection. Then check out the exhibit at our website and cast your vote for the People’s Choice Award at www.nmpotters.org beginning March 5.

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’s creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: Red Willow Farmer’s Market. Courtesy of Tiana Suazo

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’ creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: KNCE Studio. Courtesy of True Taos Radio, KNCE 93.5 FM

Pursuit of Happiness: Gi Bill in Taos refocuses the story of post-World War II artistic movements by highlighting those artists working, communing, and connecting in Taos from 1945 onward. These artists founded the next great wave of abstraction that took root in the region, bringing their vast creativity and international connections to the community. Highlighting works from Harwood Museum of Art’s permanent collection and sourcing significant loans regionally and nationally, this exhibition tells the story of how Taos contributed to conversations and explorations in the national art scene during the post-World War II period.