Spencer Beckwith On The Arts

In the early years, rock 'n' roll posters were pretty basic -- large legible print, studio photos of the performers and one or two primary colors as accent.  In the 1960s, responding to changes in music and society, there was an explosion of new ideas about what a rock poster could be.  An outstanding collection of these posters, Dreams Unreal, is on display through April 12 at the Albuquerque Museum.

Over 500 people crowded into Albuquerque's Harwood Art Center last year for the opening of Recycled Heart, an exhibit of artwork made from cast-off objects.  The proceeds from that night's sales, over $3,000, went directly to the artists, many of whom lived on the streets.  That annual exhibit is back this month, presented by ArtStreet, the community art studio of Albuquerque Health Care for the Homeless.  Barbara Jensen, who runs ArtStreet, explains how this open studio provides AHCH with "a natural venue for engagement with folks who are on the street."

Covering Super Bowl XLIX in Phoenix a few years ago, New York Times journalist Michael Powell, disheartened by the commercialism of the big game, drove north into Navajo country to spend time with a community known for its love of basketball.  He ultimately spent six months with the Chinle High School Wildcats as they pursued a state championship.  The result is his book, Canyon Dreams: A Basketball Season on the Navajo Nation.  "Basketball is a passion play there.  In a town of 3,000," Powell told KUNM, "5,000 will show up on the night of a big game."

Towns in 18th Century New Mexico were built as enclosures.  Outside adobe walls were windowless and doorless, facing inward were homes and a place of worship, and at the center was a plaza.  New Mexico's last such remaining structure is the timeworn but largely intact Plaza Del Cerro in Chimayo.  In 2017, hoping to save this historic place, the Chimayo Cultural Preservation Association teamed up the Santa Fe non-profit Cornerstones Community Partnerships.  Cornerstones Director Jake Barrow spoke with KUNM about the significance of the plaza and what the partners have done to preserve it.

When her husband Alfred Stieglitz died in 1946, Georgia O'Keeffe left New Mexico to settle Stieglitz's complicated finances in New York.  She wound up having to stay in the city for three years.  One of her few paintings from that disruptive period is a memory of her New Mexico home.  Spring from 1948 remained in O'Keeffe's private collection until her death.  The painting is now in the collection of the Georgia O'Keeffe Museum in Santa Fe, and last fall the Museum received a grant for a much-needed restoration of Spring.  Head Conservator Dale Kronkright spoke with KUNM about the work he and his colleagues will be doing during that year-long process.

The Grawemeyer Award is the world's top honor for musical composition.  Recipients include John Adams, Pierre Boulez, Esa-Pekka Salonen and John Corigliano.  This year the Grawemeyer went to Chinese-born American composer Lei Liang for his orchestral work, A Thousand Mountains, A Million Streams.  On February 3, Lei Liang will travel to Albuquerque to premiere a new chamber work as part of the 2020 John Donald Robb Composers’ Symposium at the University of New Mexico.

Through December, and after sunset, the public can visit five locations in downtown Albuquerque where local artists have created light-based artworks.  These temporary installations are sponsored by the City of Albuquerque's City Bright program.  One of them, entitled The Game of Life and located at 114 Gold SW, was designed and built by the University of New Mexico's Social Media Workshop.  This team of undergrad and grad students from a variety of departments is led by Andrea Polli, UNM professor of both Art and Engineering, and she joined us to talk about the Workshop's new installation.

Printmaking, said Gustave Baumann, "requires soul, imagination, deftness . . . and unlimited patience."  A beautiful and deeply-detailed new book on Baumann reveals the painstaking process behind his sublime and seemingly evanescent views of the New Mexico landscape.  In A Modern Rendering: The Color Woodcuts of Gustave Baumann is a complete record of Baumann's printed works.  Author Gala Chamberlain put together this 600-page catalogue raisonné at the request of Ann Baumann, Gustave's daughter, and Gala spoke with KUNM about that 30-year process.

Nick Otero teaches art at Bosque Farms Elementary School south of Albuquerque.  In his spare time he makes saints -- New Mexico's traditional santos.  Nick's retablos, bultos and altar screens are made using centuries-old methods of preparing pigment and carving wood panels by hand.  He's been doing it since he was 16, and he's pretty good at it.  This fall, at age 38, Nicolas Otero was one of six individual recipients of the prestigious New Mexico Governor's Awards for Excellence in the Arts.  He spoke with KUNM about his work and what the award means to him.

When her husband Alfred Stieglitz died in 1946, Georgia O'Keeffe left New Mexico to settle Stieglitz's complicated finances in New York.  She wound up having to stay in the city for three years.  One of her few paintings from that disruptive period is a memory of her New Mexico home.  Spring from 1948 remained in O'Keeffe's private collection until her death.  Last month, the Georgia O'Keeffe Museum in Santa Fe received a grant from Bank of America for a much-needed restoration of Spring.

Since its founding 90 years ago, the University of New Mexico Press has been telling stories of the American Southwest through fiction, history, poetry and scholarship.  Many of those stories, of course, have dealt with Native and Indigenous cultures.  UNM Press will soon start to tell those stories in a new and contemporary way, through graphic novels and non-fiction by and about Native Americans.  The new series, Red Planet Books, is a collaboration with Albuquerque's Native-owned Red Planet Books and Comics.

They called themselves The Chasers.  Twelve young men, eleven Mexican-American, one Jewish.  Tucson High School, Class of 1959.  "More club than gang," they were inseparable -- also cool, smart, and slightly dangerous.  At a high school reunion 50 years later, the remaining Chasers spoke about what their adult lives owed to that youthful solidarity.  And one of them, Renato Rosaldo, has created a poetic collage of those conversations, a new book titled The Chasers.

In each photograph, Joan Myers shows us the West both as we want it to be and as we fear it's become: a plywood buffalo stands before a piñon-dotted mesa, a neon saguaro glows against a starry night, a mountain worthy of photographer Ansel Adams rises over tourists and their lime-green cooler.  In her striking new book, Where The Buffalo Roamed: Images of the New West, the Santa Fe-based photographer asks us how the myth of the West can survive the realities of modern life.

Along with Antarctica and the Sahara, one of the best places on earth to find meteorites is the dry lakebeds of New Mexico.  So it's not surprising that among the first institutions established to study these extraterrestrial visitors is UNM's Institute of Meteoritics.  The Institute celebrates its 75th anniversary with a Symposium on October 24 and 25 that includes an open house at the Institute's Meteorite Museum.  The Director of the Institute, Dr. Carl Agee, joined KUNM to talk about meteorites.

As an Army private in 1958, Jack Loeffler witnessed the first atomic tests in the Nevada desert.  He spent years afterward as a radical environmental activist.  But those years also included gigging as a jazz trumpeter, watching for fires in an Arizona forest, tripping on peyote with Carlos Castaneda and, ultimately, having a successful career as a self-taught aural historian.  Jack tells his story in Headed Into The Wind, just published by UNM Press.