Community Calendar

Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025

Free for museum members, or with admission.

The works in this exhibition span critical moments in Ross’ career and have never previously been exhibited.

Charles Ross: Mansions of the Zodiac is an exhibition of Ross’ artwork inspired by sunlight, starlight, time, and planetary motion. Charles Ross emerged in the 1960s with the advent of minimalism and earthworks, and is considered one of the preeminent figures of land art. This exhibition opens as Ross nears the completion of his earth/sky work, Star Axis, a monumental architectonic sculpture, and naked eye observatory located on the eastern plains of New Mexico.

Image Credit: Charles Ross, Point Source / Star Apace: Weave of Ages, 1975/86, mixed media on paper mounted on canvas, created with 428 photographs from the Falkau Star Atlas which covers the entire celestial sphere from pole to pole, the viewpoint is that of the observer at the center of the earth, 106 x 225 inches. Courtesy of the artist.

$10 Admission, $8 Students and Seniors

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’s creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credits: Happy Kiln. Courtesy of Logan Wannamaker

Saturday, June 21, 2025 - Sunday, September 7, 2025
Wednesday - Sunday, 11am - 5pm

Tennessee Williams' drama, Small Craft Warnings centers on a motley group of people gathered in a seedy coastal bar in Southern California. Director Pete Parkin's cast - Charles Garcia, Stephanie Jones, Kai Mattson, Lorri Layle Oliver, Tim Riley, Philip J. Shortell, Jeffrey Siddall and Michael Weppler. Fridays and Saturdays at 7.30pm, Sundays at 2.00pm, Saturday August 16 matinee only at 2.00pm. Thursdays August 7 and 14 tix available at $10.

Provides an opportunity for the public to experience and participate in folk music, song, dance, and storytelling through educational workshops, demonstrations, and performances.

CHICANAO! Is exhibition of Chicana and Chicano artists working in different media. The show brings together artists from around New Mexico, both living and deceased. There will be over 40 artists and over 80 works shown.

A few of the artists on exhibit are Patricio Trujillo Trujillo y Fuentes, Oscar Lozoya, Delilah Montoya, Cecilio Garcia Camarillo, who first started Espejos de Aztlan. Cecilio has pass on, but his legacy remains. There are artists in varying degrees of their carreers featured in this show, and we, the curators are very happy to have invited to pull together artists.

Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025

Free for museum members, or with admission.

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’s creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credits: Happy Kiln. Courtesy of Logan Wannamaker

Saturday, June 21, 2025 - Sunday, September 7, 2025
Wednesday - Sunday, 11am - 5pm

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