Apr 08 Wednesday
The primary component of Vilitra Vardenafil 40mg Tablets is sildenafil citrate. This is a PDE5 inhibitor chemical that increases the blood circulation in the body. It also relaxes the muscles in the penis so the erection can be held for a longer period.
The first action of Vilitra 40 is to help with arousal. As the man feels any sexual desire, he gets an erection immediately with Vilitra 40.
Janette Sadik-Khan, Principal at Bloomberg Associates, former Commissioner of the New York City Department of Transportation, and author of Streetfight: Handbook for an Urban Revolution, shares practical lessons from transforming streets in cities around the world. Drawing on her experience delivering rapid, people-first changes, she will explore how safer walking and biking infrastructure, better transit, and more flexible public spaces can improve safety and mobility. The session will outline low-cost pilots and data-driven design as tools to build public support and overcome resistance to change. Sadik-Khan will highlight how Albuquerque can adapt these strategies to its own streets and priorities. Attendees will leave with clear, actionable insights for creating safer and more vibrant streets that better serve people and communities.
Interested in learning a new dance? Try Argentine Tango at Juno!Interested in learning a new dance?Try Argentine Tango at Juno!It is free and a lot of fun. No partner or experience is required.
Must be 21 or accompanied by a legal guardian.
Tango warm-up starts at 6:50 PM, class at 7:00 PM and dance at 8 PM (Traditional and Alternative music, no tandas)
Please support our venue by buying food and drinks!
ALL ARE WELCOME
linktr.ee/albuquerqueopentango
Apr 09 Thursday
EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT.Organized by the School for Advanced Research (SAR) and the Vilcek Foundation, Grounded in Clay: The Spirit of Pueblo Pottery, a unique traveling exhibition featuring over 100 historic and contemporary works in clay, offers a visionary understanding of Pueblo pots as vessels that carry community-based knowledge and personal experience. The Indian Pueblo Cultural Center (IPCC), established by the 19 Pueblos of New Mexico in 1976, welcomes the pottery vessels back to the Southwest as the “returning home” host venue of the exhibition’s four-year national tour. Curated by the Pueblo Pottery Collective, Grounded in Clay opens at the IPCC as the leading program of the Center’s 50th anniversary celebration year. The exhibition and its associated events are generously supported by the First Nations Development Institute and Noon Whistle Fund.
EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENTIn honor of the 50th anniversary of the Indian Pueblo Cultural Center (IPCC), this exhibition highlights the Center’s history through Pueblo imagery and perspectives of the past, present, and future. A combination of fifty objects from the IPCC’s Collections and Archives, with an emphasis on Pueblo pottery, illustrates the significance of the Center as a gathering place where Pueblo arts and culture are celebrated by visitors from around the world and, at once, nurtured by Pueblo communities across the generations. Gallery videos, updated throughout the year, will feature interviews with Pueblo artists, scholars, and culture bearers that present insider views of the IPCC. Join us to celebrate the exhibition on March 21 from 5-8pm during our free, public reception. Visit indianpueblo.org for 50th anniversary program schedule updates including an exhibit closing event on February 15, 2027.
Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.
Free for museum members, or with admission.
InSight is a fine art photography exhibit featuring 181 creative works by 94 New Mexican photographers. The show is open daily except Wednesdays and Easter Sunday. Free to attend. All works on exhibit are for sale.
Charlotte Jackson Fine art presents A Whiter Shade of Pale | A Group Exhibition opening Saturday, April 4 through May 5, 2026, with an opening reception Saturday, April 4, 2026, from 2 p.m. - 4 p.m.
Charlotte Jackson Fine Art presents this year’s single-color exhibition, A Whiter Shade of Pale | A Group Exhibition, focusing exclusively on the color white. The exhibition aims to highlight the unique qualities, nuances, and variations found within this often-underestimated shade.
White has been selected as Pantone’s color of the year, motivating us to take a closer look at its significance and its many distinct shades. By delving into the subtle differences and interpretations of white, the exhibition encourages viewers to appreciate the depth and diversity within this seemingly simple color.
The exhibition includes artists Charles Arnoldi, Edith Baumann, Max Cole, Lies Kraal, William Metcalf, Liane Nouri, Helen Pashgian, Michael Rouillard, Phil Sims, Jeremy Thomas, Clark Walding, and Brian Wills.
The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’s creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.
The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.
Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.
Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.
Image Credit: Red Willow Farmer’s Market. Courtesy of Tiana Suazo