Community Calendar

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Please join the Leopold Writing Program for our 13th Annual Aldo & Estella Leopold Residency Lecture.

Rachel Wheeler - “Traces in the Sand: Wisdom from the Christian Desert Tradition for a Time of Collapse”

The earliest desert Christians lived in third and fourth century Egypt, fleeing civilizational turmoil to live close to the land where they could deeply experience their truest selves and God. In this talk, Rachel Wheeler introduces us to the wisdom of this tradition for a time of civilizational turmoil and transition requiring that we, too, recognize our truest selves and the source of the sacred.

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In 1975, two visionary artists—film director Godfrey Reggio and composer Philip Glass—came together to create Koyaanisqatsi, the first film in the QATSI trilogy. Named after the Hopi word meaning “life out of balance,” Koyaanisqatsi is an apocalyptic vision of the collision of urban life and technology versus the environment. Co-presented by the Lensic and SITE SANTA FE as part of the Innovative Thinker Series, the film comes to life at the Lensic with the score performed live by the Philip Glass Ensemble.

Often said to be meditative, the score for Koyaanisqatsi requires extremely precise concentration for live performance.  The experience of the film is immeasurably enhanced by the intensity needed and the massive sound from the Ensemble for the score’s performance.  Together, Koyaanisqatsi is a multi-level experience that varies with each performance.

Philip Glass has always been interested in forging a new and deeply mutual relationship within film and music.  Unlike conventional films which are completed before the musical score is written, Philip and filmmaker Godfrey Reggio worked together to form Koyaanisqatsi.  From creative discussions with Godfrey, Philip wrote musical pieces that were paced by his very personal musical vision.  Michael Riesman created musical demos in the studio which Godfrey’s team would listen to with portable headphones while filming and editing found footage.  In this way, the music and film were created without separation.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

Curated by the Indigenous Design + Planning Institute at The University of New Mexico, “Restorying Our HeartPlaces: Contemporary Pueblo Architecture” showcases a near-present history of the architectural sovereignty that emerged after the 1975 Indian Self-Determination Act. This exhibition focuses on the work of Pueblo architects while representing design concepts from regional ancestral sites that continue to influence 20th and 21st century Pueblo architecture. It will be on view in the Indian Pueblo Cultural Center’s South Gallery from March 25 through December 7, 2025

Free for museum members, or with admission.

The Annual Pueblo Gingerbread House Contest is a favorite holiday tradition at the Indian Pueblo Cultural Center. Children and adults are invited to enter a gingerbread house inspired by a Pueblo village, house, community church or historic building with prizes awarded in children’s and adult categories. This is an annual holiday event that is a unique way to share and enjoy Pueblo culture with your family.

Application Available: November 4th-December 19th

Submission Starting Date: November 18th

Gingerbread Display Dates: November 18th-January 4th

Judging open to visitors starting December 19th-January 4th

Announcement of winners January 6th

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’ creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: KNCE Studio. Courtesy of True Taos Radio, KNCE 93.5 FM

Pursuit of Happiness: Gi Bill in Taos refocuses the story of post-World War II artistic movements by highlighting those artists working, communing, and connecting in Taos from 1945 onward. These artists founded the next great wave of abstraction that took root in the region, bringing their vast creativity and international connections to the community. Highlighting works from Harwood Museum of Art’s permanent collection and sourcing significant loans regionally and nationally, this exhibition tells the story of how Taos contributed to conversations and explorations in the national art scene during the post-World War II period.

100 Years of Collecting|100 Years of Connecting is on view through December 13, 2025 at the Nuevo Mexicano Heritage Arts Museum, located at 750 Camino Lejo on Museum Hill in Santa Fe. Admission is free. Hours are noon to 4 p.m. Wednesday through Friday and 10 a.m. to 4 p.m. Saturday. For more information, visit nmheritagearts.org.

The exhibition marks the Spanish Colonial Arts Society's centennial by telling its century-long story of creating and caring for an extraordinary trove of nearly 4,000 objects representing the distinctive Hispano heritage of New Mexico. This provides a unique lens on the Society’s legacy of connecting to a community of artists and supporters of Hispano arts in New Mexico and beyond.