Community Calendar

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Landmark Musicals is thrilled to announce its upcoming production of the Broadway sensation, Disney and Cameron Mackintosh’s Mary Poppins. This "practically perfect" musical adventure will fly into the Rodey Theatre on the UNM Campus for a limited three-week engagement, running March 14 through March 29, 2026.
Based on the beloved books by P.L. Travers and the classic 1964 Walt Disney film, this production features the irresistible music and lyrics of Richard M. Sherman and Robert B. Sherman. Audiences can look forward to timeless classics like “Step in Time,” “Feed the Birds,” and the show-stopping “Supercalifragilisticexpialidocious.”
Performance Schedule
Saturday, March 14 - 7pm
Sunday, March 15 - 2pm

Friday, March 20 - 7pm
Saturday, March 21 - 7pm
Sunday, March 22 - 2pm*

Friday, March 27 - 7pm
Saturday, March 28 - 7pm
Sunday, March 29 - 2pm

*Relaxed Performance - A Relaxed Performance is intended to be sensitive to and accepting of any audience member who may benefit from a more relaxed environment. This performance is open to all; however, they are intentionally modified to accommodate patrons with sensory and vestibular sensitivities, anxiety, dementia, autism spectrum disorders, learning differences, or challenges attending the theater. The performance might also feel more welcoming for families with children, who may need the ability to get up and move around, or take a break in the lobby.

Keshet Dance Company New Works presents: Tarrion, a collaboration between choreographer and Keshet Company Dancer Ana Lopes Aréchiga and Albuquerque-based multimedia composer Zachariah Julian. Tarrion was born from an intense two-week collaborative process during the 2025 Hear Here Festival at Keshet. Left feeling like there was more to explore, the creators expanded into a full-length standalone work.

Set on the dancers of Keshet Dance Company, Tarrion is a visceral experience, a visually and aurally exquisite evening-length contemporary dance work that explores concepts of humanity, energy, forces of nature, and the essence/experience of inconclusiveness. Tarrion magnifies opportunities to evaluate our connection in and between bodies and spaces.

Join us in our idiosyncratic world of Tarrion.

John Steinbeck adapted his novel of the same name. It premiered on Broadway in 1937 and earned the 1938 New York Drama Critics' Circle Best Play. A poignant tragedy centers around two migrant field hands, the average-looking but smart ‘George’ and the strong but mentally-challenged ‘Lennie’ who work on a farm in California during the Great Depression. Their dream of owning their own farm is shattered when Lennie has an incident with the wife of the boss's son.

It is one of director Nancy Sellin’s all-time favorite shows. “The show offers a 1930s American perspective of poverty, prejudice against race, women, the disabled, the aged. In large part, we still have these issues today and the story is presented in such a way that we see the pathos and sadness of our choices with crystal clarity. Ultimately, it is a story of humanity at its most basic level. And, it is also a story of love at its core.” She has selected a terrific cast of some of Albuquerque’s best actors – Caedmon Holland and Daniel Anaya will play ‘Lennie’ and ‘Curley’. Other members of the cast are Kristine Padilla, Myles Hughes, Tim Reardon, Tom Doty, Eric Bodwell, Jacob Chavez, Castalia Mayerhofer. Spoiler alert, ‘Bowie’ will play ‘the dog’!

Performances Fridays and Saturdays at 7.30pm. Sundays at 2.00pm. Saturday April 25 at 2.00pm only. Thursdays April 16 and 30 at 7.30pm.

Robert Mirabal has been described as a Native American “Renaissance man." It is a fitting description for this musician, composer, painter, master craftsman, poet, actor, screenwriter, author, horseman, and farmer. But in Mirabal’s case, the whole is much greater than the sum of its parts.

​An accomplished, renowned Native American flute player and maker from Taos Pueblo in New Mexico, Robert’s flutes have been displayed at the Smithsonian Institute’s Museum of the American Indian. An award-winning musician, Mirabal performs worldwide, sharing flute songs, tribal rock, dance, and storytelling. Mirabal is a two-time Grammy Award winner, has twice been named the Native American Music Award’s Artist of the Year, and has received the Songwriter of the Year award three times. He is also an Album of the Year recipent from Canadian Aboriginal Music Awards. His breakthrough PBS musical production, Music From a Painted Cave, remains a benchmark of Native American traditional/rock fusion and storytelling.

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT
In honor of the 50th anniversary of the Indian Pueblo Cultural Center (IPCC), this exhibition highlights the Center’s history through Pueblo imagery and perspectives of the past, present, and future. A combination of fifty objects from the IPCC’s Collections and Archives, with an emphasis on Pueblo pottery, illustrates the significance of the Center as a gathering place where Pueblo arts and culture are celebrated by visitors from around the world and, at once, nurtured by Pueblo communities across the generations. Gallery videos, updated throughout the year, will feature interviews with Pueblo artists, scholars, and culture bearers that present insider views of the IPCC. Join us to celebrate the exhibition on March 21 from 5-8pm during our free, public reception. Visit indianpueblo.org for 50th anniversary program schedule updates including an exhibit closing event on February 15, 2027.

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT.
Organized by the School for Advanced Research (SAR) and the Vilcek Foundation, Grounded in Clay: The Spirit of Pueblo Pottery, a unique traveling exhibition featuring over 100 historic and contemporary works in clay, offers a visionary understanding of Pueblo pots as vessels that carry community-based knowledge and personal experience. The Indian Pueblo Cultural Center (IPCC), established by the 19 Pueblos of New Mexico in 1976, welcomes the pottery vessels back to the Southwest as the “returning home” host venue of the exhibition’s four-year national tour. Curated by the Pueblo Pottery Collective, Grounded in Clay opens at the IPCC as the leading program of the Center’s 50th anniversary celebration year. The exhibition and its associated events are generously supported by the First Nations Development Institute and Noon Whistle Fund.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

It is with great enthusiasm, we invite you to the fifth edition of ICAIDSB, organised by EMLA Foundation welcomes you all to New York to attend as a Speaker/Listener for “Artificial Intelligence, Data Science & Bio-Technology” which is going to be held on April 11-12, 2026 in Hybrid Format i.e., In Person & Online.