Community Calendar

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Would you like time set aside to make your own art? Do you need a regular creative ‘fix’? If you respond well to the rhythm of weekly classes, would like to work more with a particular media, or want to get back into regular creative practice, this is the perfect place for you! As fellow artists, art instructors, and ArtFix moderators, Lea Anderson and Ivan Boyd, are here to offer valuable feedback, mentorship, tips and suggestions for whatever you want to work on. The last night of class will be set aside for a supportive group critique. This fun, friendly, unique atmosphere will provide opportunities for networking, discussion, and creative growth. Make time for this important part of your life! Open to all experience levels.

Oscar Wilde’s “The Importance of Being Earnest” is the last of his four drawing-room plays, the previous three being “Lady Windermere’s Fan”, “A Woman Of No Importance” and “An Ideal Husband”, written a couple of hundred years ago! This farcical comedy depicts the tangled affairs of two young ‘men about town’ who lead double lives to evade unwanted social obligations, both assuming the name ‘Ernest’ while wooing the two young women of their affections. The play, celebrated for its wit and repartee, parodies contemporary dramatic norms, gently satirizes late Victorian manners, and introduces – in addition to the two pairs of young lovers – the formidable ‘Lady Bracknell’ – you must have heard of her! A luminary of Albuquerque theatre holding the director’s baton, Mario Cabrera has chosen six very well-known actors – Georgia Athearn, Nicee Brown, Clair Gardner, Jerry Hines, Bailey Hunt, Scott Sharot and Michael Weppler - to delight the audience, along with M. Cabrera, as ‘Lady Bracknell’! Performances 7.30pm Fridays and Saturdays. Additional performances Thursday Dec 11 and 18 at 7.30pm ($10 tix available). Saturday Dec 13 - 2pm only.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

Join us to experience the insightful creativity of Native American youth artists! A long-standing tradition at the IPCC, this juried exhibition showcases the artworks of Native American students in grades K-12 in New Mexico. This year’s theme, “Planning Our Future Homes,” uplifts the students’ understandings of tribal and familial relationships between communities, homes, and building materials. The participating students’ artworks are available for purchase. A public reception with a Pottery Demonstration by Wilma Tosa (Pueblo of Jemez) will be held on Sunday, November 23, 1:30-4:30pm.

Included with museum admission

The Annual Pueblo Gingerbread House Contest is a favorite holiday tradition at the Indian Pueblo Cultural Center. Children and adults are invited to enter a gingerbread house inspired by a Pueblo village, house, community church or historic building with prizes awarded in children’s and adult categories. This is an annual holiday event that is a unique way to share and enjoy Pueblo culture with your family.

Application Available: November 4th-December 19th

Submission Starting Date: November 18th

Gingerbread Display Dates: November 18th-January 4th

Judging open to visitors starting December 19th-January 4th

Announcement of winners January 6th

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’ creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: KNCE Studio. Courtesy of True Taos Radio, KNCE 93.5 FM

Pursuit of Happiness: Gi Bill in Taos refocuses the story of post-World War II artistic movements by highlighting those artists working, communing, and connecting in Taos from 1945 onward. These artists founded the next great wave of abstraction that took root in the region, bringing their vast creativity and international connections to the community. Highlighting works from Harwood Museum of Art’s permanent collection and sourcing significant loans regionally and nationally, this exhibition tells the story of how Taos contributed to conversations and explorations in the national art scene during the post-World War II period.

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’s creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: Red Willow Farmer’s Market. Courtesy of Tiana Suazo

100 Years of Collecting|100 Years of Connecting is on view through December 13, 2025 at the Nuevo Mexicano Heritage Arts Museum, located at 750 Camino Lejo on Museum Hill in Santa Fe. Admission is free. Hours are noon to 4 p.m. Wednesday through Friday and 10 a.m. to 4 p.m. Saturday. For more information, visit nmheritagearts.org.

The exhibition marks the Spanish Colonial Arts Society's centennial by telling its century-long story of creating and caring for an extraordinary trove of nearly 4,000 objects representing the distinctive Hispano heritage of New Mexico. This provides a unique lens on the Society’s legacy of connecting to a community of artists and supporters of Hispano arts in New Mexico and beyond.