Community Calendar

Unearthing Futures / Desenterrando Futuros explores contemporary earthen artworks, establishing a profound dialogue between regional roots and global perspectives. As visitors engage with the exhibition, they embark on a journey through time, examining the intricate relationship between humanity and the elemental material of unfired earth.

Visit Harwood Museum of Art website for an in-depth view of this exhibition.

Image Credit: Ronald Rael, LIMINAL, 2026, 3D printed adobe. Courtesy of the artist. Photo by Brad Trone.

This drop-in class welcomes beginners and all levels and explores the fundamentals of yoga, correct body alignment & breathing techniques. All poses are offered with modifications to suit individual bodies and needs. A blend of Hatha, Vinyasa and yoga therapeutics, mini meditations and energy medicine modalities will be incorporated.

Come to FUSION | The Cell on Wednesdays from 6–8:30 PM for a figure drawing session. Study from a live unclothed model with a classical art approach with no adornment, draping, or garments unless requested by the model.

This is an inclusive and respectful community. They welcome artists of all skill levels and from all backgrounds, creeds, races, genders, and orientations. Discrimination, aggression, disruptive behavior, or bullying of any kind will not be tolerated.

All dry mark-making materials (graphite, charcoal, pastel, etc.) as well as pens and markers are allowed. Watercolors are also permitted but must be accompanied by a drop cloth and materials to clean any spills. Odor-producing solvents, paints, aerosol/spray cans, or mediums are not permitted.

Tables, chairs, and a few easels are available. Participants are welcome to bring portable or desktop easels.

Figure Drawing ABQ is on Wednesdays, from 6:00 to 8:30 PM. Sessions are $10 plus a model tip if possible.

This session is on Wednesday, April 29, at 6 PM at FUSION | The Cell.

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT
In honor of the 50th anniversary of the Indian Pueblo Cultural Center (IPCC), this exhibition highlights the Center’s history through Pueblo imagery and perspectives of the past, present, and future. A combination of fifty objects from the IPCC’s Collections and Archives, with an emphasis on Pueblo pottery, illustrates the significance of the Center as a gathering place where Pueblo arts and culture are celebrated by visitors from around the world and, at once, nurtured by Pueblo communities across the generations. Gallery videos, updated throughout the year, will feature interviews with Pueblo artists, scholars, and culture bearers that present insider views of the IPCC. Join us to celebrate the exhibition on March 21 from 5-8pm during our free, public reception. Visit indianpueblo.org for 50th anniversary program schedule updates including an exhibit closing event on February 15, 2027.

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT.
Organized by the School for Advanced Research (SAR) and the Vilcek Foundation, Grounded in Clay: The Spirit of Pueblo Pottery, a unique traveling exhibition featuring over 100 historic and contemporary works in clay, offers a visionary understanding of Pueblo pots as vessels that carry community-based knowledge and personal experience. The Indian Pueblo Cultural Center (IPCC), established by the 19 Pueblos of New Mexico in 1976, welcomes the pottery vessels back to the Southwest as the “returning home” host venue of the exhibition’s four-year national tour. Curated by the Pueblo Pottery Collective, Grounded in Clay opens at the IPCC as the leading program of the Center’s 50th anniversary celebration year. The exhibition and its associated events are generously supported by the First Nations Development Institute and Noon Whistle Fund.

On the 100th anniversary of Route 66 in 2026, experience “The Old Road”—a mural that at once remembers the first major highway traversing the United States and gives emphasis to its impact on Pueblo communities and New Mexico. Through the eyes of artists Warren Montoya (Pueblos of Santa Ana/Santa Clara), Margarita Paz-Pedro (Pueblo of Laguna/Mexican American), Akilah Martinez (Diné), and Keith Scott (Pueblo of Laguna), this multi-dimensional installation travels through time showing Pueblo people and places along the “Mother Road,” otherwise known as Route 66. Explore the eccentric narrative created by these artists as they look at multiple roads simultaneously, from ancestral times to recent history, to glimpses of the present and future. Already a historic exchange route within Indigenous communities, Route 66 still echoes in the personality and culture of New Mexico byways. Journey through this mural located in the Art Through Struggle Gallery at the end of the IPCC’s permanent exhibition.
Image: Keith Scott, Laguna Pueblo Water Tower, 2023, digital photograph.

The NMSU Art Museum is pleased to present On the Edge, an exhibition that traces the trajectory of Shirley Crow’s career, exploring an artistic practice grounded in a lasting sense of wonder about the mysteries of the universe. Spanning nearly fifty years, and including pastel, ink, graphite, and oil, Crow’s work invites viewers to experience her intuitive visual language informed by the magic of creativity and an ongoing questioning of our existence. Opening reception for Shirley Crow: On the Edge is on October 16 from 5:30-7:30 pm, and will be on display through July 17, 2027.

Unearthing Futures / Desenterrando Futuros explores contemporary earthen artworks, establishing a profound dialogue between regional roots and global perspectives. As visitors engage with the exhibition, they embark on a journey through time, examining the intricate relationship between humanity and the elemental material of unfired earth.

Visit Harwood Museum of Art website for an in-depth view of this exhibition.

Image Credit: Ronald Rael, LIMINAL, 2026, 3D printed adobe. Courtesy of the artist. Photo by Brad Trone.

Described as “the only name for music innovation” by Martin Hackleman, formerly of the Empire and Canadian Brass, the Alias Brass Company, founded in 2013, is a collaboration of five uniquely talented artists and educators from across the nation. The Alias Brass Company’s performances are comprised of standards and original compositions, along with concepts that blend virtuosic musicianship with a high level of entertainment. From Baroque and Classical, to Jazz and Pop, the Alias Brass Company’s shows are “a sure-fire hit; chamber music of the future with something for everyone!”

The Alias Brass Company demonstrates their artistic range with an array of different shows that take audiences on an emotional journey by combining diverse elements of classical music, modern pop-culture, and all things in between to create an experience that is both engaging and exciting. Receiving critical acclaim for being captivating, diverse, and innovative, Alias Brass continues to dazzle audiences across North and South America.

Committed to promoting an image of music that is inclusive, the Alias Brass Company strives to fulfill their mission of ensuring that music remains sustainable and thriving in today’s society by presenting works that represent a variety of global styles, genders, and cultures. Through setting an example that powerful music can be created by and for anyone, Alias creates a gateway into classical music for future musicians and music lovers alike.

Members of the Alias Brass Company are true champions of music education dedicated to inspiring the next generation through wide-reaching and relevant workshops for young audiences. Alias is active throughout the school year providing clinics, master classes, and demonstrations to young musicians and non-musicians alike, focusing on innovation, creativity, technique, and expression through music.

For the rest of the information check our website at https://www.nmt.edu/pas/

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT
In honor of the 50th anniversary of the Indian Pueblo Cultural Center (IPCC), this exhibition highlights the Center’s history through Pueblo imagery and perspectives of the past, present, and future. A combination of fifty objects from the IPCC’s Collections and Archives, with an emphasis on Pueblo pottery, illustrates the significance of the Center as a gathering place where Pueblo arts and culture are celebrated by visitors from around the world and, at once, nurtured by Pueblo communities across the generations. Gallery videos, updated throughout the year, will feature interviews with Pueblo artists, scholars, and culture bearers that present insider views of the IPCC. Join us to celebrate the exhibition on March 21 from 5-8pm during our free, public reception. Visit indianpueblo.org for 50th anniversary program schedule updates including an exhibit closing event on February 15, 2027.