Community Calendar

The New Mexico Environment Department intends to approve, pending public input, to change the corrective action status of two Solid Waste Management Units (SWMUs 86 ad 87) from "Corrective Action Required" to "Corrective Action Complete with Controls" in the White Sands Missile Range (WSMR) Resource Conservation and Recovery Act (RCRA) Hazardous Waste Permit. The 60-day comment period begins on January 30th and ends at 5:00 PM on March 31st, 2026. To review a copy of the Public Notice, Fact Sheet, and Corrective Action Complete Petition, visit the NMED Hazardous Waste Bureau WSMR page (https://www.env.nm.gov/hazardous-waste/wsmr/), under Content titled "Corrective Action Complete Proposal". The above documents are also available on the NMED Public Notice page (https://www.env.nm.gov/public-notices/), under "Statewide/Across Multiple Counties".

Clay Speaks of Home, the annual New Mexico Potters and Clay Artists members exhibition opens at the Santa Fe Community College Visual Arts Gallery on March 5 and runs through April 8. The Gallery is open M_F from 9-5. With over 60 woks on exhibit (entries are open until January 23), this promises to be one of the largest and best exhibitions yet from this exciting, state-wide, 50-year-old organization. From expressive sculpture and evocative abstract forms to beautifully glazed lidded jars and pitchers, this exhibition has something for everyone. There are mixed media objects, wall hangings, functional and decorative ware that express everything from profound harmony with our New Mexican landscape to serious concerns with world events.
Join us at SFCC’s lovely campus for the opening on Thursday, March 5 from 4 to 6 pm to meet the artists, tour the gallery and hear who won the awards from the three jurors Serit deLopaz Kotowski (last year’s winner), Mary Sharp Davis (ceramicist extraordinaire) and Elizabeth Hunt (Head of Ceramics, SFCC). Maybe you will find that something special for your own collection. Then check out the exhibit at our website and cast your vote for the People’s Choice Award at www.nmpotters.org beginning March 5.

Arrowsoul Art Collective’s mural installation fuses concepts of the beginning, present, and future of Indigenous pictographic arts. Based in the Southwest region, Arrowsoul Art Collective creates graffiti walls and mural paintings inspired by the evolving meanings of “Future Old School” and “Indigenous Freeways.” The artists create new visions of the Southwest landscape through blending letter structures, illustrative architecture, and textured palettes of places of home. Arrowsoul Art Collective’s projects reunite communities along the Rio Grande through creative participation. Located in the Art Through Struggle Gallery, their newest mural will be on display through June 28, 2026.

Free for museum members, or with admission.

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT
In honor of the 50th anniversary of the Indian Pueblo Cultural Center (IPCC), this exhibition highlights the Center’s history through Pueblo imagery and perspectives of the past, present, and future. A combination of fifty objects from the IPCC’s Collections and Archives, with an emphasis on Pueblo pottery, illustrates the significance of the Center as a gathering place where Pueblo arts and culture are celebrated by visitors from around the world and, at once, nurtured by Pueblo communities across the generations. Gallery videos, updated throughout the year, will feature interviews with Pueblo artists, scholars, and culture bearers that present insider views of the IPCC. Join us to celebrate the exhibition on March 21 from 5-8pm during our free, public reception. Visit indianpueblo.org for 50th anniversary program schedule updates including an exhibit closing event on February 15, 2027.

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT.
Organized by the School for Advanced Research (SAR) and the Vilcek Foundation, Grounded in Clay: The Spirit of Pueblo Pottery, a unique traveling exhibition featuring over 100 historic and contemporary works in clay, offers a visionary understanding of Pueblo pots as vessels that carry community-based knowledge and personal experience. The Indian Pueblo Cultural Center (IPCC), established by the 19 Pueblos of New Mexico in 1976, welcomes the pottery vessels back to the Southwest as the “returning home” host venue of the exhibition’s four-year national tour. Curated by the Pueblo Pottery Collective, Grounded in Clay opens at the IPCC as the leading program of the Center’s 50th anniversary celebration year. The exhibition and its associated events are generously supported by the First Nations Development Institute and Noon Whistle Fund.

InSight is a fine art photography exhibit featuring 181 creative works by 94 New Mexican photographers. The show is open daily except Wednesdays and Easter Sunday. Free to attend. All works on exhibit are for sale.

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’s creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: Red Willow Farmer’s Market. Courtesy of Tiana Suazo

The Same Place at the Same Time is a series of three exhibition rotations that trace how art lives within, emerges from, and connects Taos’ creative communities. By gathering a varied array of arts—wood-fired ceramics, volunteer radio, and Pueblo foodways—into the rotating gallery space, the exhibition highlights the many interconnected maker groups within our larger Taos community. The inclusion of visual art, music, and food emphasizes the diversity of creativity that constructs thriving cultures and communities.

The exhibition is process-focused and collectively developed, documenting how these groups operate and co-curated by the groups themselves. It explores the wide-ranging organizational structures of these collectives, in turn allowing us to consider how these frameworks influence art making, relationships, and the rich culture of Taos. It asks how we might further nurture this expansive web of connections, both inside and outside of the gallery space.

Harwood Museum of Art is honored to collaborate with local artists, makers, and cultural leaders who shape and define Taos’s remarkable artistic landscape.

Curated by Kate Miller, Curatorial Assistant, Harwood Museum of Art.

Image Credit: KNCE Studio. Courtesy of True Taos Radio, KNCE 93.5 FM

Pursuit of Happiness: Gi Bill in Taos refocuses the story of post-World War II artistic movements by highlighting those artists working, communing, and connecting in Taos from 1945 onward. These artists founded the next great wave of abstraction that took root in the region, bringing their vast creativity and international connections to the community. Highlighting works from Harwood Museum of Art’s permanent collection and sourcing significant loans regionally and nationally, this exhibition tells the story of how Taos contributed to conversations and explorations in the national art scene during the post-World War II period.

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