Community Calendar

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT
In honor of the 50th anniversary of the Indian Pueblo Cultural Center (IPCC), this exhibition highlights the Center’s history through Pueblo imagery and perspectives of the past, present, and future. A combination of fifty objects from the IPCC’s Collections and Archives, with an emphasis on Pueblo pottery, illustrates the significance of the Center as a gathering place where Pueblo arts and culture are celebrated by visitors from around the world and, at once, nurtured by Pueblo communities across the generations. Gallery videos, updated throughout the year, will feature interviews with Pueblo artists, scholars, and culture bearers that present insider views of the IPCC. Join us to celebrate the exhibition on March 21 from 5-8pm during our free, public reception. Visit indianpueblo.org for 50th anniversary program schedule updates including an exhibit closing event on February 15, 2027.

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT.
Organized by the School for Advanced Research (SAR) and the Vilcek Foundation, Grounded in Clay: The Spirit of Pueblo Pottery, a unique traveling exhibition featuring over 100 historic and contemporary works in clay, offers a visionary understanding of Pueblo pots as vessels that carry community-based knowledge and personal experience. The Indian Pueblo Cultural Center (IPCC), established by the 19 Pueblos of New Mexico in 1976, welcomes the pottery vessels back to the Southwest as the “returning home” host venue of the exhibition’s four-year national tour. Curated by the Pueblo Pottery Collective, Grounded in Clay opens at the IPCC as the leading program of the Center’s 50th anniversary celebration year. The exhibition and its associated events are generously supported by the First Nations Development Institute and Noon Whistle Fund.

On the 100th anniversary of Route 66 in 2026, experience “The Old Road”—a mural that at once remembers the first major highway traversing the United States and gives emphasis to its impact on Pueblo communities and New Mexico. Through the eyes of artists Warren Montoya (Pueblos of Santa Ana/Santa Clara), Margarita Paz-Pedro (Pueblo of Laguna/Mexican American), Akilah Martinez (Diné), and Keith Scott (Pueblo of Laguna), this multi-dimensional installation travels through time showing Pueblo people and places along the “Mother Road,” otherwise known as Route 66. Explore the eccentric narrative created by these artists as they look at multiple roads simultaneously, from ancestral times to recent history, to glimpses of the present and future. Already a historic exchange route within Indigenous communities, Route 66 still echoes in the personality and culture of New Mexico byways. Journey through this mural located in the Art Through Struggle Gallery at the end of the IPCC’s permanent exhibition.
Image: Keith Scott, Laguna Pueblo Water Tower, 2023, digital photograph.

Still Friends After All These Years
September 11 – October 10, 2026

Opening Reception for the Artists
Friday, September 11 from 5 p.m. to 7 p.m.
Gallery Talk: A Conversation with Charles Arnoldi, Ron Cooper, Laddie John Dill and Rani Singh
Saturday, September 12, 2026, from 2 p.m. to 4 p.m.

Somewhere between the halls of Chouinard Art Institute and the industrial warehouses and artist lofts of Los Angeles in the 1960's, three young artists met. Each skilled, hungry, and with a restless energy that helped to propel them headlong onto the world stage as rare artistic talents. Later, in 1987, when Charlotte Jackson curated an exhibition of work by these three artists: Charles Arnoldi, Ron Cooper, and Laddie John Dill - they had already known each other twenty years. Still Friends After All These Years once again brings together works, old and new, from all three luminaries, whose art, long associated with the California Light & Space movement, engages and challenges the perceptual experience of viewers.

Unearthing Futures / Desenterrando Futuros explores contemporary earthen artworks, establishing a profound dialogue between regional roots and global perspectives. As visitors engage with the exhibition, they embark on a journey through time, examining the intricate relationship between humanity and the elemental material of unfired earth.

Visit Harwood Museum of Art website for an in-depth view of this exhibition.

Image Credit: Ronald Rael, LIMINAL, 2026, 3D printed adobe. Courtesy of the artist. Photo by Brad Trone.

Exhibition Dates: August 26–October 17
Reception: October 2, 6–8pm

ALBUQUERQUE, NM—Richard Levy Gallery is pleased to present Particle and the Wave: Oracles and Symbols for Living and Dying, a solo show by Alex Ponca Stock.

Particle and the Wave features eight abstract artworks that explore the conjunction of modern technological and scientific knowledge with the ancient knowledge handed down from our ancestors. Using the traditional beaded broadcloth found in Osage regalia, Alex Ponca Stock considers a broad array of modern and historical references, including color field painting, early Christian heresies, ancient mound-builders, and quantum physics. The result of her experimentation with larger-scale work, this exhibition is a mature showcase of Ponca Stock’s ability to visually dissect the currents of 21st century life.

Ponca Stock’s practice combines intensive research with the slow, meditative labor of beading to create objects with a strong sense of internal order. The composition of her soft textile works are often reminiscent of the aesthetic of technology—motherboards, logic gates, 3D renderings—without ever betraying the beauty and integrity of the medium. In her choice of color, Ponca Stock is highly attuned not only to the symbolic and emotional power of color, but its physiological effect.

Alex Ponca Stock (b. 1986) is a painter and beadworker from the Gray Horse District of the Osage Nation and the third generation in her family to graduate from the Kansas City Art Institute. Her work has been exhibited by the Denver Art Museum, the First Americans Museum, and the Osage Nation Museum, among others. The artist currently lives and works in Santa Fe, NM.

The SaFeRR Hotline is used for suspected ICE sightings in Santa Fe County and City. Dispatchers are available to respond to calls. They are bilingual. Confirmers will respond to sightings and offer on the ground documentation and support to detainees, their families and bystanders. Please help keep the City safe.

If you've seen films like "Pride and Prejudice," you've seen English Country Dancing. Similar to contra dance, it is generally more stately and elegant. The music is gorgeous, and mostly based on very old Celtic folk tunes.

Vista Grande High School has open spaces for 9th to 12th grade students. Want to get caught up or even graduate early? Want to get paid money while also going to school? Want to get ahead with dual enrollment at UNM-Taos? VGHS offers access to all of this and more! Come swing on in to get registered or give us a call: 575-758-5100. VGHS is here to help support all teenagers in Taos County finding the right home for High School!

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT
In honor of the 50th anniversary of the Indian Pueblo Cultural Center (IPCC), this exhibition highlights the Center’s history through Pueblo imagery and perspectives of the past, present, and future. A combination of fifty objects from the IPCC’s Collections and Archives, with an emphasis on Pueblo pottery, illustrates the significance of the Center as a gathering place where Pueblo arts and culture are celebrated by visitors from around the world and, at once, nurtured by Pueblo communities across the generations. Gallery videos, updated throughout the year, will feature interviews with Pueblo artists, scholars, and culture bearers that present insider views of the IPCC. Join us to celebrate the exhibition on March 21 from 5-8pm during our free, public reception. Visit indianpueblo.org for 50th anniversary program schedule updates including an exhibit closing event on February 15, 2027.