Community Calendar

EARLY CLOSURE AT 3PM ON MARCH 20TH DUE TO PRIVATE EVENT.
Organized by the School for Advanced Research (SAR) and the Vilcek Foundation, Grounded in Clay: The Spirit of Pueblo Pottery, a unique traveling exhibition featuring over 100 historic and contemporary works in clay, offers a visionary understanding of Pueblo pots as vessels that carry community-based knowledge and personal experience. The Indian Pueblo Cultural Center (IPCC), established by the 19 Pueblos of New Mexico in 1976, welcomes the pottery vessels back to the Southwest as the “returning home” host venue of the exhibition’s four-year national tour. Curated by the Pueblo Pottery Collective, Grounded in Clay opens at the IPCC as the leading program of the Center’s 50th anniversary celebration year. The exhibition and its associated events are generously supported by the First Nations Development Institute and Noon Whistle Fund.

On the 100th anniversary of Route 66 in 2026, experience “The Old Road”—a mural that at once remembers the first major highway traversing the United States and gives emphasis to its impact on Pueblo communities and New Mexico. Through the eyes of artists Warren Montoya (Pueblos of Santa Ana/Santa Clara), Margarita Paz-Pedro (Pueblo of Laguna/Mexican American), Akilah Martinez (Diné), and Keith Scott (Pueblo of Laguna), this multi-dimensional installation travels through time showing Pueblo people and places along the “Mother Road,” otherwise known as Route 66. Explore the eccentric narrative created by these artists as they look at multiple roads simultaneously, from ancestral times to recent history, to glimpses of the present and future. Already a historic exchange route within Indigenous communities, Route 66 still echoes in the personality and culture of New Mexico byways. Journey through this mural located in the Art Through Struggle Gallery at the end of the IPCC’s permanent exhibition.
Image: Keith Scott, Laguna Pueblo Water Tower, 2023, digital photograph.

The Indian Pueblo Entrepreneur Complex will be holding a free training for farmers, gardeners, and anyone who would like to learn more about growing. Topics include summer and fall planting techniques, hydroponics systems, DIY cold-bot build, and post-harvest handling. These trainings are ideal for those in rural and urban settings alike. All trainings will be held at the Indigenous Farm Hub at 6370 Corrales Road, Corrales, NM. To register, contact Latrell Kaye at 505-451-2860 or lkaye@indianpueblo.com. Space is limited, so make sure to register soon.

In the historic Railroad District in Las Vegas, New Mexico, the People's Festival of Art & Culture will feature nearly 100 booths from local artists and crafters with their handmade items; live music; food trucks and more in a street festival setting. A collaborative effort including MainStreet de Las Vegas, the Las Vegas Arts Council, Las Vegas First, and the City of Las Vegas.

Still Friends After All These Years
September 11 – October 10, 2026

Opening Reception for the Artists
Friday, September 11 from 5 p.m. to 7 p.m.
Gallery Talk: A Conversation with Charles Arnoldi, Ron Cooper, Laddie John Dill and Rani Singh
Saturday, September 12, 2026, from 2 p.m. to 4 p.m.

Somewhere between the halls of Chouinard Art Institute and the industrial warehouses and artist lofts of Los Angeles in the 1960's, three young artists met. Each skilled, hungry, and with a restless energy that helped to propel them headlong onto the world stage as rare artistic talents. Later, in 1987, when Charlotte Jackson curated an exhibition of work by these three artists: Charles Arnoldi, Ron Cooper, and Laddie John Dill - they had already known each other twenty years. Still Friends After All These Years once again brings together works, old and new, from all three luminaries, whose art, long associated with the California Light & Space movement, engages and challenges the perceptual experience of viewers.

This workshop will have a concentrated, robust emphasis on understanding the history and process of underground mini comic creation. This course will be accessible to all adults with varying degrees of interest in the world of self publishing, screenprinting, and linocut. Featured in this workshop will be my collection of comics curated from my personal experience traveling throughout the United States collecting zines delving into an assortment of fun topics from a variety of artists.

The goal of this course will be for everyone to go home with collaborative mini comics created by themselves and their collaborators. It will be a highly interactive workshop that will leave everyone with a thorough understanding of drawing, storytelling, reading comics, creating comic formats, and self expression.

Unearthing Futures / Desenterrando Futuros explores contemporary earthen artworks, establishing a profound dialogue between regional roots and global perspectives. As visitors engage with the exhibition, they embark on a journey through time, examining the intricate relationship between humanity and the elemental material of unfired earth.

Visit Harwood Museum of Art website for an in-depth view of this exhibition.

Image Credit: Ronald Rael, LIMINAL, 2026, 3D printed adobe. Courtesy of the artist. Photo by Brad Trone.

Exhibition Dates: August 26–October 17
Reception: October 2, 6–8pm

ALBUQUERQUE, NM—Richard Levy Gallery is pleased to present Particle and the Wave: Oracles and Symbols for Living and Dying, a solo show by Alex Ponca Stock.

Particle and the Wave features eight abstract artworks that explore the conjunction of modern technological and scientific knowledge with the ancient knowledge handed down from our ancestors. Using the traditional beaded broadcloth found in Osage regalia, Alex Ponca Stock considers a broad array of modern and historical references, including color field painting, early Christian heresies, ancient mound-builders, and quantum physics. The result of her experimentation with larger-scale work, this exhibition is a mature showcase of Ponca Stock’s ability to visually dissect the currents of 21st century life.

Ponca Stock’s practice combines intensive research with the slow, meditative labor of beading to create objects with a strong sense of internal order. The composition of her soft textile works are often reminiscent of the aesthetic of technology—motherboards, logic gates, 3D renderings—without ever betraying the beauty and integrity of the medium. In her choice of color, Ponca Stock is highly attuned not only to the symbolic and emotional power of color, but its physiological effect.

Alex Ponca Stock (b. 1986) is a painter and beadworker from the Gray Horse District of the Osage Nation and the third generation in her family to graduate from the Kansas City Art Institute. Her work has been exhibited by the Denver Art Museum, the First Americans Museum, and the Osage Nation Museum, among others. The artist currently lives and works in Santa Fe, NM.

Family Story Time at the Indian Pueblo Cultural Center is a chance for children and families to gather, share stories and activities relating to Native American culture, history, and storytelling traditions.
Free for children and adult family member. For more information please call (505) 843-7270.

The Acoma Family Dance Group (Pueblo of Acoma) will be dancing on September 26 and 27 at 11AM and 2PM.
Celebrate the seasonal cycles through prayer, song, and dance with our Cultural Dance Program. Dances connect us to our ancestors, community, and traditions while honoring gifts from our Creator.
They ensure that life continues and connections to the past and future are reinforced. The Indian Pueblo Cultural Center is the only place in North America to offer cultural Native American dances every week, year-round.
Free for museum members, or with admission.
Dance groups and times subject to change.